Eledhwen
09-18-2003, 01:01 PM
BILBO BAGGINS born:TA2890 passed into the West:FA29
Son of Bungo Baggins and Belladonna Took
THE BEGINNING
One summer afternoon in 1930, Professor J.R.R. Tolkien was marking exam papers. He said later… “One of the candidates had mercifully left one of the pages with no writing on it (which is the best thing that can possibly happen to an examiner) and I wrote on it: ‘In a hole in the ground there lived a hobbit.’ Names always generate a story in my mind. Eventually I thought I’d better find out what hobbits were like. But that’s only the beginning.”
That moment was the embryo that was to become Bilbo Baggins, the first hobbit to be created by Professor Tolkien. When Houghton Mifflin publishers asked for pictures of Bilbo Baggins, Tolkien instead gave a description from which pictures could be drawn:
DESCRIPTION
Tolkien wrote: “I picture a fairly human figure, not a kind of ‘fairy’ rabbit as some of my British reviewers seem to fancy: fattish in the stomach, shortish in the leg. A round, jovial face: ears only slightly pointed and ‘elvish’; hair short and curling (brown). The feet from the ankles down, covered with brown hairy fur. Clothing: green velvet breeches; red or yellow waistcoat; brown or green jacket; gold (or brass) buttons; a dark green hood and cloak (belonging to a dwarf). Actual size – say about three feet or three feet six inches…. Since leathery soles, and well-brushed furry feet are a feature of essential hobbitness, he ought really to appear unbooted…” (Letter 27)
It appears that Ian Holm, who played Bilbo in the New Line Cinema production, fitted the description to a tee, as he also read the part of Frodo in the BBC Radio 4 production of Lord of the Rings.
HOBBITS IN GENERAL
To understand Bilbo, one has to understand a bit about hobbits. “Hobbits are, of course, really meant to be a branch of the specifically human race…. They are entirely without non-human powers, but are represented as being more in touch with ‘nature’ (the soil and other living things, plants and animals), and abnormally, for humans, free from ambition or greed of wealth. They are made small … mostly to show up … the amazing and unexpected heroism of ordinary men ‘at a pinch’” (from a note to letter 131).
Hobbits like the simple things in life, and they like a quiet life. Bilbo was ‘talked about’ in the Shire because he was not content to stay within its social bounds, and after his big adventure was never quite regarded as’ respectable’ again amongst ordinary hobbit folk. Other descriptions Tolkien used for hobbits, in various letters, include: comic, amusing, unimaginative, vulgar and slow to change. He also said he was fond of hobbits, though could also find them irritating, and that ‘hobbit talk’ amused him privately more than their adventures (this, he admitted, he had to curtail for the sake of published works).
PURPOSE OF HOBBITS IN THE LORD OF THE RINGS
Until the publication of The Hobbit, which had been a story written to amuse his son, Tolkien’s writings on Middle Earth had been of high heroic tales such as those in the posthumously published Silmarillion – tales of Elves, Men and Dwarves, of Dark Powers, heroism and betrayal, and of what Galadriel calls ‘the long defeat’.
In The Hobbit, veiled references to The Necromancer and Gondolin added depth and a mysterious darkness to the story, but even as he wrote, Tolkien had no idea that the Ring acquired by Bilbo had any connection with the Dark Lord Sauron, or even that he was the Necromancer of The Hobbit (see letter 163 to W H Auden).
Why then was The Hobbit so successful, and its sequel such a masterpiece?
Tolkien himself wrote, again in his letter to Milton Waldman, “But as the earliest Tales are seen through Elvish eyes, as it were, this last great Tale, coming down from myth and legend to the earth, is seen mainly through the eyes of Hobbits: it thus becomes in fact anthropocentric. But through Hobbits, not Men so-called, because the last Tale is to exemplify most clearly a recurrent theme: the place in ‘world politics’ of the unforeseen and unforeseeable acts of will, and deeds of virtue of the apparently small, ungreat, forgotten in the places of the Wise and Great (good as well as evil). A moral of the whole is the obvious one that without the high and noble the simple and vulgar is utterly mean; and without the simple and ordinary the noble and heroic is meaningless.”
So, although Bilbo entered Middle Earth by the back door of a story written for children, expanded into a grand sequel through pressure from public and publisher alike, he and the other hobbits serve the above purpose of balancing the noble with the vulgar, which had been the perceived lacking ingredient in the Silmarillion.
In a letter (No 31) to C A Furth of Allen & Unwin, Tolkien writes: “Mr (CS) Lewis says hobbits are only amusing when in unhobbitlike situations. For a last: my mind on the ‘story’ side is really preoccupied with the ‘pure’ fairy stories or mythologies of the Silmarillion, into which even Mr Baggins got dragged against my original will”
So Mr Baggins entered Middle Earth proper by popular request, not because the Professor wanted him there. Yet he freely admits in his letter to Milton Waldman “I did not know as I began it (The Hobbit) that it belonged. But it proved to be the discovery of the completion of the whole, its mode of descent to earth and merging into ‘history’. As the high Legends of the beginning are supposed to look at things through Elvish minds, so the middle tale of the Hobbit takes a virtually human point of view – and the last tale blends them.”
BILBO’S RETROSPECTIVE BEGINNING (From the Unfinished Tales)
“The Quest of Erebor” must have been such a relief to Tolkien fans when Unfinished Tales was first published; who, having read the professor’s work from the beginning , never knew the reason for Gandalf’s choice of Bilbo Baggins, or why he was getting involved in the adventure at all. This was all cleared up when Tolkien wrote (speaking as Gandalf):
“You may think that Rivendell was out of his (Sauron’s) reach, but I did not think so. The state of things in the North was very bad. The Kingdom under the Mountain and the strong Men of Dale were no more. To resist any force that Sauron might send to regain the northern passes in the mountains and the old lands of Angmar there were only the Dwarves of the Iron hills, and behind them lay a desolation and a Dragon. The Dragon Sauron might use with terrible effect. Often I said to myself: “I must find some means of dealing with Smaug. But a direct stroke against Dol Guldur is needed still more. We must disturb Sauron’s plans. I must make the Council see that.”
Gandalf was thinking these thoughts as he happened upon Thorin Oakenshield near Bree, and leaned of the latter’s plans to retake the Kingdom under the Mountain from Smaug the Dragon. Thorin wanted to go to war, which Gandalf saw no hope in. He needed to think, and the Shire was the place to do it. Gandalf continues…
“Somehow I had been attracted by Bilbo long before, as a child, and a young hobbit: he had not quite come of age when I had last seen him. He had stayed in my mind ever since with his eagerness and his bright eyes, and his love of tales, and his questions about the wilde world outside the shire. As soon as I entered theShire I heard news of him. He was getting talked about, it seemed. Both his parents ahd dies early for Shire-folk, at about eighty; and he had never married. He was already growing a bit *****, they said, and went off for days by himself. He could be seen talking to strangers, even Dwarves.
“’Even Dwarves!’ Suddenly in my mind these three tings came together: the great Dragon with his lust, and his keen hearing and scent; the sturdy heavy-booted Dwarves with their old burning grudge; and the quick, soft-footed Hobbit…”
ENTER BILBO BAGGINS
Gandalf had decided to impose a Hobbit on the Dwarves adventure, but how did he decide on Bilbo?
from The Quest of Erebor: ‘How would you select any one Hobbit for such a purpose?’ said Gandalf. ‘I had no time to sort them all out; but I knew the Shire very well by that time … So naturally thinking over the Hobbits that I knew, I said to myself: “I want a dash of the Took and I want a good foundation of the stolider sort, a Baggins perhaps.” That pointed at once to Bilbo. And I had known him once very well, almost up to his coming of age, better than he knew me. I liked him then. And now I found that he was “unattached” – to jump on again, for of course I did not know all this until I went back to the Shire. I learned that he had never married. … I guessed that he wanted to remain “unattached” for some reason deep down which he did not understand himself – or would not acknowledge, for it alarmed him. He wanted, all the same, to be free to go when the chance came, or he had made up his courage. I remembered how he used to pester me with questions when he was a youngster about the Hobbits that had occasionally “gone off”, as they said in the Shire. There were at least two of his uncles on the Took side that had done so.’
Once the Dwarves had arrived at Bag End, Gandalf was alarmed, for the reality of Bilbo Baggins did not match the rumour – or so it seemed; the hobbit had settled into quiet middle age. Thorin had nothing but contempt for him, even thinking that Gandalf was having a joke at his expense (UT Quest for Erebor). It took all Gandalf’s skill in persuasion, and Thror’s map, to get Thorin to agree to take Bilbo along. Even then, Bilbo only set off on the adventure thanks to the “nudge out of the door” that Gandalf gave him.
Son of Bungo Baggins and Belladonna Took
THE BEGINNING
One summer afternoon in 1930, Professor J.R.R. Tolkien was marking exam papers. He said later… “One of the candidates had mercifully left one of the pages with no writing on it (which is the best thing that can possibly happen to an examiner) and I wrote on it: ‘In a hole in the ground there lived a hobbit.’ Names always generate a story in my mind. Eventually I thought I’d better find out what hobbits were like. But that’s only the beginning.”
That moment was the embryo that was to become Bilbo Baggins, the first hobbit to be created by Professor Tolkien. When Houghton Mifflin publishers asked for pictures of Bilbo Baggins, Tolkien instead gave a description from which pictures could be drawn:
DESCRIPTION
Tolkien wrote: “I picture a fairly human figure, not a kind of ‘fairy’ rabbit as some of my British reviewers seem to fancy: fattish in the stomach, shortish in the leg. A round, jovial face: ears only slightly pointed and ‘elvish’; hair short and curling (brown). The feet from the ankles down, covered with brown hairy fur. Clothing: green velvet breeches; red or yellow waistcoat; brown or green jacket; gold (or brass) buttons; a dark green hood and cloak (belonging to a dwarf). Actual size – say about three feet or three feet six inches…. Since leathery soles, and well-brushed furry feet are a feature of essential hobbitness, he ought really to appear unbooted…” (Letter 27)
It appears that Ian Holm, who played Bilbo in the New Line Cinema production, fitted the description to a tee, as he also read the part of Frodo in the BBC Radio 4 production of Lord of the Rings.
HOBBITS IN GENERAL
To understand Bilbo, one has to understand a bit about hobbits. “Hobbits are, of course, really meant to be a branch of the specifically human race…. They are entirely without non-human powers, but are represented as being more in touch with ‘nature’ (the soil and other living things, plants and animals), and abnormally, for humans, free from ambition or greed of wealth. They are made small … mostly to show up … the amazing and unexpected heroism of ordinary men ‘at a pinch’” (from a note to letter 131).
Hobbits like the simple things in life, and they like a quiet life. Bilbo was ‘talked about’ in the Shire because he was not content to stay within its social bounds, and after his big adventure was never quite regarded as’ respectable’ again amongst ordinary hobbit folk. Other descriptions Tolkien used for hobbits, in various letters, include: comic, amusing, unimaginative, vulgar and slow to change. He also said he was fond of hobbits, though could also find them irritating, and that ‘hobbit talk’ amused him privately more than their adventures (this, he admitted, he had to curtail for the sake of published works).
PURPOSE OF HOBBITS IN THE LORD OF THE RINGS
Until the publication of The Hobbit, which had been a story written to amuse his son, Tolkien’s writings on Middle Earth had been of high heroic tales such as those in the posthumously published Silmarillion – tales of Elves, Men and Dwarves, of Dark Powers, heroism and betrayal, and of what Galadriel calls ‘the long defeat’.
In The Hobbit, veiled references to The Necromancer and Gondolin added depth and a mysterious darkness to the story, but even as he wrote, Tolkien had no idea that the Ring acquired by Bilbo had any connection with the Dark Lord Sauron, or even that he was the Necromancer of The Hobbit (see letter 163 to W H Auden).
Why then was The Hobbit so successful, and its sequel such a masterpiece?
Tolkien himself wrote, again in his letter to Milton Waldman, “But as the earliest Tales are seen through Elvish eyes, as it were, this last great Tale, coming down from myth and legend to the earth, is seen mainly through the eyes of Hobbits: it thus becomes in fact anthropocentric. But through Hobbits, not Men so-called, because the last Tale is to exemplify most clearly a recurrent theme: the place in ‘world politics’ of the unforeseen and unforeseeable acts of will, and deeds of virtue of the apparently small, ungreat, forgotten in the places of the Wise and Great (good as well as evil). A moral of the whole is the obvious one that without the high and noble the simple and vulgar is utterly mean; and without the simple and ordinary the noble and heroic is meaningless.”
So, although Bilbo entered Middle Earth by the back door of a story written for children, expanded into a grand sequel through pressure from public and publisher alike, he and the other hobbits serve the above purpose of balancing the noble with the vulgar, which had been the perceived lacking ingredient in the Silmarillion.
In a letter (No 31) to C A Furth of Allen & Unwin, Tolkien writes: “Mr (CS) Lewis says hobbits are only amusing when in unhobbitlike situations. For a last: my mind on the ‘story’ side is really preoccupied with the ‘pure’ fairy stories or mythologies of the Silmarillion, into which even Mr Baggins got dragged against my original will”
So Mr Baggins entered Middle Earth proper by popular request, not because the Professor wanted him there. Yet he freely admits in his letter to Milton Waldman “I did not know as I began it (The Hobbit) that it belonged. But it proved to be the discovery of the completion of the whole, its mode of descent to earth and merging into ‘history’. As the high Legends of the beginning are supposed to look at things through Elvish minds, so the middle tale of the Hobbit takes a virtually human point of view – and the last tale blends them.”
BILBO’S RETROSPECTIVE BEGINNING (From the Unfinished Tales)
“The Quest of Erebor” must have been such a relief to Tolkien fans when Unfinished Tales was first published; who, having read the professor’s work from the beginning , never knew the reason for Gandalf’s choice of Bilbo Baggins, or why he was getting involved in the adventure at all. This was all cleared up when Tolkien wrote (speaking as Gandalf):
“You may think that Rivendell was out of his (Sauron’s) reach, but I did not think so. The state of things in the North was very bad. The Kingdom under the Mountain and the strong Men of Dale were no more. To resist any force that Sauron might send to regain the northern passes in the mountains and the old lands of Angmar there were only the Dwarves of the Iron hills, and behind them lay a desolation and a Dragon. The Dragon Sauron might use with terrible effect. Often I said to myself: “I must find some means of dealing with Smaug. But a direct stroke against Dol Guldur is needed still more. We must disturb Sauron’s plans. I must make the Council see that.”
Gandalf was thinking these thoughts as he happened upon Thorin Oakenshield near Bree, and leaned of the latter’s plans to retake the Kingdom under the Mountain from Smaug the Dragon. Thorin wanted to go to war, which Gandalf saw no hope in. He needed to think, and the Shire was the place to do it. Gandalf continues…
“Somehow I had been attracted by Bilbo long before, as a child, and a young hobbit: he had not quite come of age when I had last seen him. He had stayed in my mind ever since with his eagerness and his bright eyes, and his love of tales, and his questions about the wilde world outside the shire. As soon as I entered theShire I heard news of him. He was getting talked about, it seemed. Both his parents ahd dies early for Shire-folk, at about eighty; and he had never married. He was already growing a bit *****, they said, and went off for days by himself. He could be seen talking to strangers, even Dwarves.
“’Even Dwarves!’ Suddenly in my mind these three tings came together: the great Dragon with his lust, and his keen hearing and scent; the sturdy heavy-booted Dwarves with their old burning grudge; and the quick, soft-footed Hobbit…”
ENTER BILBO BAGGINS
Gandalf had decided to impose a Hobbit on the Dwarves adventure, but how did he decide on Bilbo?
from The Quest of Erebor: ‘How would you select any one Hobbit for such a purpose?’ said Gandalf. ‘I had no time to sort them all out; but I knew the Shire very well by that time … So naturally thinking over the Hobbits that I knew, I said to myself: “I want a dash of the Took and I want a good foundation of the stolider sort, a Baggins perhaps.” That pointed at once to Bilbo. And I had known him once very well, almost up to his coming of age, better than he knew me. I liked him then. And now I found that he was “unattached” – to jump on again, for of course I did not know all this until I went back to the Shire. I learned that he had never married. … I guessed that he wanted to remain “unattached” for some reason deep down which he did not understand himself – or would not acknowledge, for it alarmed him. He wanted, all the same, to be free to go when the chance came, or he had made up his courage. I remembered how he used to pester me with questions when he was a youngster about the Hobbits that had occasionally “gone off”, as they said in the Shire. There were at least two of his uncles on the Took side that had done so.’
Once the Dwarves had arrived at Bag End, Gandalf was alarmed, for the reality of Bilbo Baggins did not match the rumour – or so it seemed; the hobbit had settled into quiet middle age. Thorin had nothing but contempt for him, even thinking that Gandalf was having a joke at his expense (UT Quest for Erebor). It took all Gandalf’s skill in persuasion, and Thror’s map, to get Thorin to agree to take Bilbo along. Even then, Bilbo only set off on the adventure thanks to the “nudge out of the door” that Gandalf gave him.