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Maedhros
11-03-2002, 12:29 AM
Sometimes I wonder what happened to the Cottage of Lost Play!
From Book of Lost Tales 1: The Cottage of Lost Play
Now was he at the summit of the hill amidst its houses, and stepping as if by chance he turned aside down a winding lane, till, a little down the western slope of the hill, his eye was arrested by a tiny dwelling whose many small windows were curtained snugly, yet only so that a most warm and delicious light, as of hearts content within, looked forth. Then his heart yearned for kind company, and the desire for wayfaring died in him - and impelled by a great longing he turned aside at this cottage door, and knocking asked one who came and opened what might be the name of this house and who dwelt therein. And it was said to him that this was Mar Vanwa Tyaliéva, or the Cottage of Lost Play, and at that name he wondered greatly. There dwelt within, 'twas said, Lindo and Vairë who had built it many years ago, and with them were no few of their folk and friends and children. And at this he wondered more than before, seeing the size of the cottage; but he that opened to him, perceiving his mind, said: 'Small is the dwelling, but smaller still are they that dwell here - for all who enter must be very small indeed, or of their own good wish become as very little folk even as they stand upon the threshold.'
'Now on one side of the cot stood a thicket of white lilac and at the other end a mighty yew, from whose shoots the children fashioned bows or clambered by his branches upon the roof. But in the lilacs every bird that ever sang sweetly gathered and sang. Now the walls of the cottage were bent with age and its many small lattice windows were twisted into strange shapes. No one, 'tis said, dwelt in the cottage, which was however guarded secretly and jealously by the Eldar so that no harm came nigh it, and that yet might the children playing therein in freedom know of no guardian- ship. This was the Cottage of the Children, or of the Play of Sleep, and not of Lost Play, as has wrongly been said in song among Men - for no play was lost then, and here alas only and now is the Cottage of Lost Play.
To me at least, the concept of the Cottage of Lost Play is very beautiful. I know that the concept was modified later, and so was the entire legendarium, but I'm still amazed at the concept of such a place and the beauty that it gives. Even early Tolkien's ideas are great.:)
The poems at the end are very interesting themselves:
Alalminórë! Green heart of this Isle;
Where linger yet the Faithful Companies!
Still undespairing here they slowly file;
Down lonely paths with solemn harmonies:
The Fair, the first-born in an elder day,
Immortal Elves, who singing on their way;
Of bliss of old and grief, though men forget,
Pass like a wind among the rustling trees,;
A wave of bowing grass, and men forget
Their voices calling from a time we do not know,
Their gleaming hair like sunlight long ago.

Turgon
11-03-2002, 12:46 AM
Well put Maedhros - I'm in total agreement with you. I read the Lost Tales even before I read the Sil. (being the only books I could get my hands on after I devoured LoTR) So it was the first contact I had with tales like The Fall of Gondolin and the Tale of Tinúviel. I also loved the way the Tales were told, with a kind of Arabian Nights feel or Odysseus telling of his adventures in the Court of Alcinous.

It's also interesting how Tolkien kept the tales he told contained within his secondary world - The stories told in the Cottage of Lost Play, and later Bilbo's 'Translations from the Elvish'. There was always a connection with the heroes in the stories with the people narrating the tales. For instance - Littleheart son of Bronweg (Voronwë) narrating the Fall of Gondolin; gives the tales a real sense of history I think.

gate7ole
11-04-2002, 10:39 PM
The Lost Tales are full of very interesting but –unfortunatelly- unfinished concepts. The Cottage of Lost Play is one of them, also “Olore Malle”, the Path of Dreams, that is a shortcut for mortal children to visit Valinor through their dreams and “the Sleeper in the tower of Pearl”. My favorite though is the Faring Forth, the second expedition of elves to ME to take back the remnants of their kin and bring them to Eressea, which may or may not succeed depending on the aid or hostility of men.
It is obvious that the first phase of Tolkien’s mythology was more tied to our “world”. He intended to reach his tales to a point that would be associated with our history. And he succeeded in some degree. The “Faring Forth” was unsuccessful and Eressea got stuck on the west side of ME, thus creating England, while the elves disappeared from man’s sight and became legends.
This first phase of Tolkien’s world was more magical, full of mysteries but with less cohesion. Not all the concepts of this world followed some fundamental rules, which made it seem more mythical. So, mortal children could travel through their dreams and play with the elf children while the cataclysmic events of the fall of Numenor had not emerged yet, so that Aman was still “on earth”. Of course most of these ideas were ultimately rejected and one may be left with the thoughts of how would Arda have evolved with these ideas embedded.